Twenty One Children have damn near been unstoppable since bursting onto the scene. After months of single releases and shows, the Sowetans have now unleashed their latest EP Only the Gundwan, comprising a mix of live and studio tracks that see the trio get grittier than ever before.
The title is a clever play on “only the rats” in isiZulu and “only the good one” – epitomising their home city’s hustle and bustle. They are the spokespeople for Soweto’s underground punk and street culture, and Gundwan embraces this community with startling empathy.
Beginning on a rough but compelling note, the instrumental opener highlights the band’s raw talent. Recorded live at Studio 31, the track is one of two live songs on the EP. Vocalist Abdula explains, “We used our trusted cheap amp from a cutlery shop in Jozi. We call it ‘mancane’ because it’s the smallest amp ever, but it always rips. The distortion on it is pretty ace.” The result? A tasty, unfiltered sound.
The EP defines itself through multiple genres. “Let it Doom” delivers a thrash punk sound with a DIY edge, to which Abdula adds, “While it’s all punk, each song offers something different—thrash, hardcore, groove, doom, and straight-up rock ‘n’ roll. All of this is packed into less than 15 minutes.”
This diversity is clear in a track like “Talk Shows,” a bold offering that amplifies the trio’s signature style with gang vocals.
The angst of punk also shines in “Vacate.” The mention of Brenda Fassie feels fitting too, as the band embody her unadulterated township spirit.
The EP ends with a hidden gem, “21guns,” exploring everyday life in Soweto. Abdula notes, “Soweto is a treasure trove for any writer—there’s an abundance of stories here. Just step outside.”
In many ways, it’s hard to believe that these guys are a relatively young band. The strides they’ve made in such a short time are something to behold. Only the Gundwan is more than just an EP; it’s a declaration of a growing prowess, and a relentless cultural spirit.
