Feature

Worth The Spin: Vol.1

We’re more than halfway through 2026. The homestretch is in plain sight. As we approach the inevitable chaos that comes with wrapping up the year in its final few months, there is (in our opinion) no better reprieve from the impending dread than music that gives you some will to live. Even better? If it’s already packaged and ready to be played front to back, no skips necessary. This selection of fresh albums from local artists have made an impact on us. Give them a spin, and remember that sometimes, life can be wonderful when it gives you music this good. So worth it.

Muzi — Electric Zululand

Few artists understand world-building quite like Muzi. Electric Zululand is an exhilarating Afrofuturist collision of avant-garde electronics, Afro House, kwaito and field recordings collected throughout KwaZulu-Natal, creating a body of work that feels both deeply rooted in traditional identity and strikingly forward thinking. Standout track and album opener “Uhlanga”, featuring Zoë Modiga, is pure magic, pairing her ethereal vocals with one of the album’s most hypnotic grooves.

Digital Sangoma — Letters I Never Wrote Home

We’ve already deep dived into Digital Sangoma’s most personal work to date, a deeply affecting record that sees the Eastern Cape producer trade the dance floor for something far more intimate. Framed as a series of unsent letters, Letters I Never Wrote Home transforms contemplations on the dualities of belonging into a beautifully restrained indie-folk record that never confuses vulnerability with sentimentality. It’s a quietly devastating listen that rewards you with emotional honesty.

Thando Zide — Ku Ngawe

Soweto born avant-pop Thando Zide made palpable waves with her 2023 EP UMvulo, and now arrives fully formed on Ku Ngawe, an exquisite debut that expands on Zide’s exploratory sonic palette of nu-R&B, Neo-soul, and pop. Built around warm textures of Afro-soul and jazz, the album explores love, faith and healing with remarkable patience, culminating in the breathtaking “Fakazela” alongside Ami Faku. It’s the kind of debut that introduces Zide as more than the new kid on the block, but an artist with a clear sense of purpose.

Carla Franco — A Funeral For My Grief

Heartbreak has always made for good pop music, and Carla Franco embraces it without flinching on A Funeral For My Grief. Across ten songs, she traces the emotional aftermath of a relationship with refreshing honesty, balancing moments of crushing vulnerability with brighter pop detours like “If I Wanted You” and the delightfully sassy “Hot Mess.” By the time album closer “Finally” arrives, catharsis feels well-earned.

Black Math — BLOOD SWEAT SPARKLES

After seven years away, prolific Durban garage rockers Black Math return sounding louder, stranger and more exhilarating than ever. The newest born album on this list, BLOOD SWEAT SPARKLES expands the trio’s foundations with new sounds and sonic concepts, from free-form saxophone, towering distortion, and enough controlled chaos to keep it all unmistakably their own. Whether it’s the ferocious opener “Walls Walls Walls” or the theatrical grunge of “Animals Gagging For Law”, this is one of the year’s most exciting (and anticipated) South African rock records.